A set of fifty-one (51) plates and one drawing: - Max VIRROY (after), L' amoureux silence - circa 1925 - VALLON de VILLENEUVE (after), Wedding preparations - Antoine WATTEAU (after), 2 reproductions - Village Fete - Flanders - Abraham BOSSE (after), The Last Moments - Pierre Paul PRUDHON (after), L'enflammer - Giuseppe PALIZZI (after), L'été , souvenir des Landes - Louis DESNOYER (after), C'est sans Malice ! - Michel LAMBERT (after), Paul et Virginie retrouvés - Michel LAMBERT (after), Paul et Virginie's change of milk - Michel LAMBERT (after), Death of Virginie - François BOUCHER (after), La rêveuse - English work, Eliza Farren in Hermione - Act V - James NORTHCOTE (after), A visit to the Grandmother - L'amant surpris - Pierre-Antoine BAUDOUIN (after), The Bride in Bed - Philibert-Louis DEBUCOURT (after), The Judge or the Broken Jug - 19th century school, Young mother and her two children - Albert PETERS-DESTERACT (1874-1951) (after), Female nude - Two-page prospectus for the short story "Le Rideau crimsi" by Jules-Amédée BARBEY d'AUREVILLT, with front-page illustration after Armand RASSENFOSSE (1862-1934) - Tireur d'épine, graphite - E. LANGLOIS, The seamstress - Cyril Edward POWER (1872-1951), Femme au voile, signed in chalk lower left, 30.5 x 24 cm for the plate (small scratches) - Charles Michel-ange CHALLE (1718-1778) (after), La Soubrette officieuse - Friederich REHBERG (1758-1835) (after), Belisarius asking for alms - Le Lion Amoureux, - La leçon de musique - MONVOISIN (after), Étude aux deux crayons, by JULIEN - Bigouden reading - Pierre Jean de BERANGER (after), The Poor Woman - Protection Size of plates: from 27.3 x 19.7 cm to 65.5 x 61 cm (freckles, stains, tears, missing parts, folds)